60 Point Drawing
Wood, yarn, nails 2x6 ft.
Posts
Science Drawings
paper, thread, embroidery hoop, watercolor, salt, newspaper, yarn, charcoal Approx. 6x9 in each
Thread Drawing
Cardboard, tape, yarn, gesso, sharpie, pen, watercolor, foam board, denim, cotton space approx. 4x8 ft.
Cardboard Drawings
Cardboard, tape, yarn, gesso, sharpie, pen, watercolor, foam board, denim, cotton space approx. 4x8 ft.
Multiple Panel
Cotton, Dye, Thread 1x10 ft This project was aimed on creating a piece that was made by multiple panels. I knew right away i wanted to create panels using textiles. I actually began this by dying fabric with natural dyes. I used turmeric, red onion skins, and avacados to dye white cotton. It turned out really successful, but i wasn't too excited about the color that came out. I then decided that it wasn't very important content wise to use natural dyes so i bought some and created some mixes. I felt that they were very delicate so i thought they needed to be in an airy space, and decided they needed to be installed and hung. I enjoyed the way the colors all played with each other, so i connected each one creating space in a corner. I played with the ceiling and floor and thought it all interplayed well. David Carson D'Hanne Friis Chung Im Kim
Transformation Drawing
Paper, pastels, wood, cardboard, newspaper, canvas, spray paint, foam insulation, tape, house paint 31/2x4ft This project was a transformation drawing consisting in 6 transformations. It began as a white sheet of paper and transformed into a sculpture that can exist in any particular space, so a sculpture holding more of the use off a painting than an installation. I really enjoyed this project, because it was all about process. I never got bored of it, or frustrated, which really kept me dedicated in the studio. I was really finding the process of transforming it a great way to grow in my work.
Drawing on Objects
Chicken wire and yarn Space approx. 3x5ft This project was aimed at using some sort of method in drawing on an object. I chose chicken wire because of how dimensional it is. I enjoy the space it creates, as well as the freedom to manipulate its form. Like my other work, i am constantly using process as a means of content in my work. Process is always an important aspect in my work, as it has to be an enjoyable one for me to be able to commit to the process in the studio. I found the process of creating marks with yarn to be very important, as I find importance in textile materials. Mary Grisey Rebecca Ward Richard Tuttle